He gives the boy the name Heathcliff, but not his family name. In this way Bronte is consistent with Byron by keeping the hero an outcast.
After the death of Mr. This constant betrayal by the only person he loves is a necessity for Heathcliff to feel in order to be the Byronic Hero Bronte wishes him to be. Our writers can help you with any type of essay. For any subject Get your price How it works. Heathcliff constantly confronts his displeasure with Cathy and put that weight onto her, even when he is the one to be timid with expressing his feelings for her.
Bronte almost mimics her idle in this part of the storyline. Heathcliff is very arrogant in how others notice his deep feelings for Catherine. His arrogance to others makes him believe he can conceal himself from all of the characters in the novel. While heros typically win in the end, Heathcliff is presented with a different conclusion to his story.
Not only is a Byronic Hero isolated from society, they are often exiled in some way. Heathcliff left without any word, and Catherine was forced to move on for she did not know whether he was dead or alive. The day of his return was certainly hell for Heathcliff. He was forced to watch his true love marry another, and in utter despair over it. Compare Two Biographies of Wayne Gretzky. Cyrano De Bergerac. Galileo Galilei. Greenspan - the Case For the Defence. Henry VIII. Jack the Ripper. Johann Sebastian Bach.
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Youtube Twitter Facebook Pinterest. About Us Novelguide. Our Networks novelguide. Terms of Use Copyright Privacy. The best way to analyze these two themes is to break them down into groups and then compare the main characters that fall within that group. The first and most obvious theme is that of the intruder.
The most foremost example is Heathcliff. Out of the dark night Heathcliff comes, like a cuckoo, to be raised in the home. He is immediately disliked by his other siblings. However, like the cuckoo which plants its egg in another birds nest to be raised, he manages to convince the father to love him instead of the natural children. Nelly recalls that the father took to Heathcliff strangely, believing all he said and putting him up far above Cathy, who was too mischievous and wayward for a favourite.
After this he then begins to appeal to the women of the house. He loves and is loved by Catherine, while Nelly also loves him. Bronte uses Heathcliff in this way, to explore the stereotypical effect of intruders; this more or less boils down to the effect that the one whos different is the desirable one. This ensnares Nelly and Catherine so much that they cant see Heathcliff for the cuckoo he really is.
The other intruder is Linton. Linton was born into this world and intruded on the world that Heathcliff had made. He intrudes because he is not wanted, like Heathcliff was not wanted. Even though he is the son of Heathcliff, he is a different kind of intruder. Whereas Heathcliff is the cuckoo, Linton is the being who came in as to no fault of their own. He is born into this terrible family because of a petty grudge held by Heathcliff. This makes him a different intruder on a fundamental level and contributes what he is left with at the end of the novel.
The second theme is that of exiles. There are a lot of exiles and a lot of people that could be considered exiles. The two most obvious, however, are Catherine and Catherine Jr.
In the first act of Wuthering Heights, Catherine becomes the outcast as she leaves Wuthering Heights for the increased social status of her new husband. While this is not in fact being exiled, she made the choice herself, she considers it to be an exile. In the epitome of that spoiled brat style she continues to whine and complain about what she cant have.
She even tries to force the people she thinks are her exilers to do what she wants. Feeling powerless to hold her control over Edgar and Heathcliff, her self-imprisonment and starvation are a desperate attempt to regain control. Catherine Jr. She plays the woman who will make the best of what she has.
Study of childhood and the family. The hostility toward and the abuse of children and family members at Wuthering Heights cut across the generations. The savagery of children finds full expression in Hindley's animosity toward Heathcliff and in Heathcliff's plans of vengeance.
Wrapped in the self-centeredness of childhood, Heathcliff claims Hindley's horse and uses Mr. Earnshaw's partiality to his own advantage, making no return of affection. Earnshaw's disapproval of Catherine hardens her and, like many mistreated children, she becomes rebellious. Despite abuse, Catherine and Heathcliff show the strength of children to survive, and abuse at least partly forms the adult characters and behavior of Catherine and Heathcliff and forges an important bond between them.
The effects of intense suffering. In the passion-driven characters—Catherine, Heathcliff, and Hindley—pain leads them to turn on and to torment others. Inflicting pain provides them some relief; this behavior raises questions about whether they are cruel by nature or are formed by childhood abuse and to what extent they should be held responsible for or blamed for their cruelties.
Is all their suffering inflicted by others or by outside forces, like the death of Hindley's wife, or is at least some of their torment self-inflicted, like Heathcliff's holding Catherine responsible for his suffering after her death?
Suffering also sears the weak; Isabella and her son Linton become vindictive, and Edgar turns into a self-indulgent, melancholy recluse. The children of love, the degraded Hareton and the imprisoned Cathy, are able to overcome Heathcliff's abuse and to find love and a future with each other.
Is John Hagan right that " Wuthering Heights is such a remarkable work partly because it persuades us forcibly to pity victims and victimizers alike"? Self-imposed or self-generated confinement and escape. Both Catherine and Heathcliff find their bodies prisons which trap their spirits and prevent the fulfillment of their desires: Catherine yearns to be united with Heathcliff, with a lost childhood freedom, with Nature, and with a spiritual realm; Heathcliff wants possession of and union with Catherine.
Confinement also defines the course of Catherine's life: in childhood, she alternates between the constraint of Wuthering Heights and the freedom of the moors; in puberty, she is restricted by her injury to a couch at Thrushcross Grange; finally womanhood and her choice of husband confine her to the gentility of Thrushcross Grange, from which she escapes into the freedom of death.
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